Information is added to the space as it intuitively fits. In some cases a space can be remembered accurately, but the objects placed within the space may or may not be the ones that were originally there. How do you decide where to place things in a replicated environment of a painting, if that actual palace is now non-existent? How can you remake a scenario that happened before exactly as it once was? Some of the subjects in these paintings are deliberately misplaced, and some are they are remembered; yet they are all inevitably altered. Without evidence as a physical reminder of this section of time, memory has become an endless process.
First image- "What came first and what came second (1)", Oil on panel
Second Image- "What came first and what came second (2)", Oil on panel
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